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This is the Nintendo
Virtual Boy section. I have a small selection of Nintendo Virtual Boy Games, as well as Nintendo Virtual Boy Consoles and
replacement hardware. Click any of these links to take you to the appropriate
section.
The The Nintendo
Virtual Boy is a console that, using a twin eyeglass-style projector, could
display games in "true 3-D" (though monochromatic, in this case black and red).
It developed from an emerging cultural interest in virtual reality brought on by
movies such as The Lawnmower Man and a number of popular arcade games. Released
on August 14, 1995 in the USA and July 21, 1995 in Japan - at a price of around
$180 USD - the Virtual Boy was regarded as little more than a novelty, and
Nintendo discontinued it the following year.
The console was designed by Gunpei Yokoi, inventor of the Game & Watch and Game
Boy handhelds. While compact and seemingly portable, Virtual Boy was not
intended to replace the Game Boy in Nintendo's product line, as use of the
system requires a steady surface, and completely blocks the player's peripheral
vision.
Hype surrounding the device before its release included public musings by
Nintendo that the device might resemble a gun set vertical, projecting a 3D
image in the air above it. The actual device was considered a disappointment
compared to this description when it arrived.
At the time, Nintendo was considered nearly invincible in the videogame market
with the massive success of the NES, SNES, and Game Boy and its ability to hold
arch-rival Sega at bay as the Nintendo 64 was being developed. While Nintendo's
decline of dominance was mostly due to the emerging Sony PlayStation console,
some market analysts and video game historians point to the release and failure
of the Virtual Boy as the "beginning of the end."
The Virtual Boy was a flop in the marketplace, for several reasons:-
To fill in for the long delay in the development of the Nintendo 64, it was
pushed to market before it was ready. Not only was it rushed out the door, but
the public was unwilling to spend so much money on what they saw as a stopgap
videogame system, especially knowing the Nintendo 64 was coming shortly.
It was marketed as a portable system, but it was not as portable as gamers
thought it should be. Due to its size and weight, the Virtual Boy was nearly
impossible to use while in motion, and doing so could cause damage to the unit.
The console's box and manual warned that the display could cause eyestrain and
eye problems, especially for those under 7 years of age. Despite having been
added primarily for liability reasons, the warnings frightened away potential
buyers. Some that did buy it suffered from headaches from short times spent
playing games on the machine.
Many believed there was a poor selection of games available at launch, and very
few software developers wanted to invest time and money in such a new, unproven
gaming system. This led to a circular supply-and-demand problem and resulted in
a system with few games available. In total only 22 titles were available
between the North American and Japanese markets. Additionally, there were few
plans for any flagship titles (such as Metroid, Zelda, or Star Fox) or popular
third party titles (such as Final Fantasy or other Squaresoft games) to be
released. Other game problems were related to the format of the console itself,
which did not seem especially suited for certain types of games, giving players
the impression that it was a rather limited system.
The base of the system could not be adjusted vertically. This meant that most
players had to lean over to play games resulting in back-pains after a short
time of play. The base was also somewhat flimsy and replacement parts were not
very common. If the base broke, a way of continuing play was to view set the
console on its back and view downward. This would frequently result in a mark
being present on the player's forehead.
Due to the nature of the Virtual Boy system, the system was not only single
player, but other players could not watch, taking away the social aspect of
gaming. While Mario's Tennis could be played between two Virtual Boy units, the
system never achieved the popularity necessary for most to use this feature.
The system does not have a full 384 x 224 array of LEDs as a display. It uses a
pair of 1 x 224 linear arrays (one per eye) and rapidly scans the array across
the eye's field of view using curved oscillating mirrors. These mirrors vibrate
back and forth at very high speed (they are what produce the mechanical humming
noise from inside the unit) and can be damaged if the Virtual Boy is hit,
knocked over, or used while in rough motion (such as in a car). A full-size
display, while mechanically simpler, would have increased the Virtual Boy's
physical size and unit cost to the point where the system would become
uneconomical. Every Virtual Boy game has the option to pause automatically every
15-30 minutes to remind the player to take a break, to prevent undue eye strain
and possible headaches
A full colour Virtual Boy was impossible to release in 1995, due to the fact
that high-efficiency indium gallium nitride (InGaN) blue and green LEDs only
became available from Nichia in 1996. While blue LEDs did exist before then,
they were extremely inefficient, resulting in very low brightness. Furthermore,
the cost of blue and green LEDs was prohibitive, and the system was already
quite expensive. The Virtual Boy, which uses an oscillating mirror to transform
a 1-D line of dots into a 2-D field of dots, requires high-performance LEDs in
order to function properly. Because each pixel is only in use for a tiny
fraction of a second (384 pixels wide, 50.2 Hz scan rate = approximately 52 µS
per scanline), high peak brightness is needed to make the virtual display bright
and be comfortable for the user to view. The two-screen system demanded a fast
refresh rate, unlike the Game Boy with its blurry motion, so LCD was not an
option. Without the technology of blue and green LEDs or LCD, the Virtual Boy
was limited to a monochrome red LED display.
Because of its failure in the Japanese, and in the American market, the console
was never released in Australia or Europe. This contributed to a
supply-and-demand problem (undersupply) for Nintendo products (especially Super
Famicom and SNES games) in the middle of the 1990s that existed mainly due to
continuous delays of the Nintendo 64. Nevertheless, the system continues to
maintain a cult following, and some of the games fetch over $1000US.
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